“To save our
world Gelfling, you must find the shard.”
In any fantasy story, the most
important part is world-buliding. J.R.R.
Tolkien wrote that before you start to tell your story, you need a map. That’s why on the inside cover of a lot of
fantasy books, you see a map of the world your about to enter. Jim Henson and Frank Oz understood this
concept when they decided to create the world that would become their greatest
film. “The Dark Crystal”
I was seven
years old when I saw this incredible film in the theater. I was amazed by what was projected on the
screen. What started when I was a
toddler learning to spell and count from puppets on Sesame Street, to two years
previous where I truly believed a little green puppet was a Jedi master. Suddenly I was introduced to a fantastic
world that was inhabited by these creatures, some weird, some scary, and some
heroic. It helped that it followed many
common elements seen in Star Wars, the reluctant hero, a quest, wizards. It even starts like Star Wars… “Another
world, Another time”.
Watching it
now, thirty years later, and with a critical eye, I see some faults, like the
partial narration, probably used to help kids to understand what’s going
on. The clunky, static way things move,
because of the restrictions of the puppets.
However, what has remained thankfully is the appreciation of what was
created. The puppets don’t bob up and
down when they walk like the muppets did.
It bravely told a classic story with dark elements not thinking of
parents groups or a ratings board. Let’s
also not forget that no film up until that point had used puppets as its entire
cast. And no film has done it since, at
least not as successful, magical, and wonderful as “The Dark Crystal” did. The creative force that was Jim Henson and
Frank Oz has never been repeated, the passion and heart that went into the
creation of this film is completely evident.
I can’t wait to show my kids who have been raised on computer generated
characters. I can’t wait to say “Look at
this… This, is real.”
--Robert L.
Castillo
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