Wednesday, January 29, 2014

What's on Redbox?--V/H/S 2


Last year the film “V/H/S” successfully blended the found footage genre with the horror anthology.  In no time at all the follow-up “V/H/S 2” has picked up the bloody ball, and ran with it, giving us a worthy sequel filled with gore, humor, and in the case of one short, sheer and utter insanity.

Tying the shorts together this time is a couple of young P.I.’s that work on catching unfaithful husbands ‘Cheaters’ style.  They go looking for a missing college kid and stumble across his crazy set up with TV’s a laptop and a bunch of V/H/S tapes.  This story that bookends the other caught-on-tape terror is better and more mysterious than the first “V/H/S” film of vandals going into a creepy house and filming it ‘set-up’.  It works better here, even if it is a little predictable.  What stand out this time though is the impressiveness of the four short films we get to see and the clarity of the footage.  Yeah it’s supposed to be video footage and it looks more like digital HD, but I can suspend disbelief if what they are showing me is worth it.  And they are.

The first involves a guy with a cyber-eye, who gets the Haley Joel Osment disease of “seeing dead people”.  It’s clever enough and you get some decent scares.  The second done by a couple of “The Blair Witch” guys utilizes a Go Pro camera mounted on a cyclist helmet whose ride in the woods turns into a zombie nightmare.  Again this is pretty well crafted, though the shakiness of the camera gave me bit of motion sickness.  The third and by far the best of film’s series so far was co-directed by Timo Tjahjanto and Gareth Evans (The Raid: Redemption) about a group of reporters who get access to a compound where the secretive Safe Haven cult is planning something completely unforeseen.  This one goes from creepy, intense, to horrifically awesome, to hilariously bat-shit insane.  All the stops are pulled out on this one, and made it impossible to top.  Which is why the last one, a sleep-over that turns into an abduction, though is a good idea and executed well enough loses some of its scariness and falls a little short.

Making a horror short can be difficult where you have very little time to give as much information as you can in order to be immersed in the world you are creating and still manage to scare the pants off of your audience.  “V/H/S 2” does a pretty admirable job of both and compared to the countless throw-away B-movie horror found on the Redbox on a weekly basis, these great tales of terror that are worth seeking out.  And as I said as long as you can get over the “How did they get this footage, and why is it being filmed for so long?” these are really enjoyable bits of horror that left me craving a third and hopefully a fourth helping.

--Robert L. Castillo        

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